The 1970s marked a revolutionary period in cinematic history, giving rise to a dynamic and influential genre that celebrated the experiences and narratives of black communities. These impactful Black movies from the 70s, commonly referred to as blaxploitation movies, provided a platform for authentic storytelling and representation, resonating with audiences on a profound level.
The term “blaxploitation” itself encapsulates the assertive and compelling nature of these films, signifying their significant cultural and historical relevance. As we delve into the captivating world of 1970s black cinema, we uncover a treasure trove of compelling narratives, powerful performances, and a testament to the resilience and creativity of black filmmakers and actors during this transformative era.
What Exactly Are Blaxploitation Movies?
Let’s take a spin back to the 1970s – a decade defined by change, expression, and the rise of African American cinema. Blaxploitation—a term coined by meshing “black” and “exploitation”— refers to a film genre that targeted urban African American audiences.
These films, often characterized by their soundtracks, fashion, and themes, depicted black protagonists in lead roles combating issues like racism, corruption, and injustice.
The Soul of the Seventies
Movies from this era were more than just a collection of scenes; they were a bold statement. With soundtracks that could get anyone grooving and storylines that were anything but mundane, Blaxploitation films resonated on a much deeper level.
Why, you ask? For the first time, African American audiences saw heroes who looked like them, talked like them, and fought issues pertinent to their everyday lives.
Top Blaxploitation Films You Can’t Miss
Shaft (1971)
In the gritty and thrilling 1971 film Shaft, we follow the captivating story of John Shaft, a suave and streetwise private detective hired by a Harlem crime lord to rescue his daughter from the clutches of Italian mobsters.
Set against the backdrop of New York City, the movie delves into the underworld of organized crime, delivering a compelling narrative filled with suspense, action, and style.
As Shaft navigates through the treacherous streets and dives deep into the criminal underbelly of the city, viewers are taken on a riveting journey that showcases his wit, charisma, and unyielding determination.
The film’s iconic theme song by Isaac Hayes and the charismatic performance by Richard Roundtree as John Shaft has solidified its status as a timeless classic in the genre of crime cinema. Shaft remains an influential and gripping portrayal of urban noir, leaving a lasting impact on audiences for decades to come.
If you’re a fan of captivating crime dramas with a touch of 1970s flair, “Shaft” is a must-watch experience that continues to resonate with audiences today.
Super Fly (1972)
Viewers of the 1972 American blaxploitation neo-noir crime drama film are immersed in the daily routine of Youngblood Priest, a cocaine dealer in Harlem who aspires to make one last major score and retire from the dangerous trade.
Directed by Gordon Parks Jr. and starring Ron O’Neal, the film presents a gritty and authentic portrayal of street life, captivating audiences with its flamboyant lead character and vivid depiction of urban existence.
As the story unfolds, audiences are drawn into the world of Youngblood Priest, witnessing the complexities of his lifestyle, aspirations, and the challenges he faces. Super Fly has left a lasting impact on popular culture, inspiring generations with its archetypal characters and powerful representation of the realities of ghetto life.
This timeless classic serves as a compelling exploration of the struggles and desires within the context of a criminal enterprise, making it an influential piece of cinematic history.
Coffy (1973)
In the 1973 film Coffy, we delve into the fierce and captivating world of Coffy, portrayed by the iconic Pam Grier, as she embarks on a relentless quest for vengeance after her younger sister falls victim to the devastating effects of heroin.
This powerful blaxploitation classic intertwines elements of a soft-core skin flick with a bold stand against drug abuse, delivering a compelling narrative that showcases Coffy’s determination and unwavering resolve.
As a nurse who has witnessed the destructive impact of drugs firsthand, Coffy’s transformation into a vigilante seeking justice resonates deeply with viewers. The film’s raw portrayal of urban life and its unapologetic stance against the drug trade have solidified its status as a standout example of the genre.
Coffy remains a testament to resilience, empowerment, and the uncompromising fight against injustice, leaving a lasting impression on audiences for generations to come.
Dolemite (1975)
In the 1975 film Dolemite, audiences are taken on a captivating journey of vengeance and justice as the charismatic protagonist, Dolemite (played by Rudy Ray Moore), seeks retribution against those who wrongfully incarcerated him. This pinnacle of blaxploitation cinema presents a narrative filled with raw energy, compelling action, and a distinctive blend of humor and social commentary.
As Dolemite and his female kung-fu allies confront the corrupt forces that framed him, the film unfolds with a dynamic mix of streetwise charisma, unapologetic portrayal of urban life, and an unwavering commitment to seek justice in the face of adversity. With its bold storytelling and magnetic performances, Dolemite stands as a testament to the creativity and resilience of black filmmakers during this era, leaving an indelible mark on the landscape of 1970s cinema.
Aaron Loves Angela (1975)
Audiences of this film are drawn into a poignant tale of young love amidst the backdrop of cultural and racial tensions. Directed by Gordon Parks Jr., the movie follows Aaron, an aspiring African-American basketball star, and Angela, his Puerto Rican girlfriend, as they navigate the challenges of family prejudice and societal realities.
The narrative unfolds in the vibrant setting of New York City’s Harlem ghetto, where the couple’s affection blossoms while facing the disapproval of those around them.
This coming-of-age romantic drama, with its themes of love, resilience, and societal barriers, presents a modern twist on the classic “Romeo and Juliet” motif, offering a deeply resonant portrayal of the enduring power of love in the face of adversity. “Aaron Loves Angela” captures the heart and spirit of youthful romance while poignantly addressing the complexities of race and cultural dynamics in urban America during the 1970s.
Abar, the First Black Superman a.k.a. In Your Face (1977)
Also known as “In Your Face,” Abar, the First Black Superman emerges as a captivating piece within the blaxploitation genre. Directed by Frank Packard and featuring J. Walter Smith, Tobar Mayo, and Roxie Young, this film weaves a tale of social commentary and empowerment.
The narrative revolves around a black family facing persecution in a bigoted neighborhood, where the scientist’s father bestows a superpower elixir upon their bodyguard, Abar, transforming him into a black superhero.
Set against the backdrop of racial tension and segregation, the film delves into themes of resilience and empowerment amidst urban adversity, offering a thought-provoking exploration of race relations and societal dynamics during the 1970s. Despite being labeled as a low-budget blaxploitation flick, Abar, the First Black Superman stands as a testament to the era’s cinematic expression and its enduring impact on cultural representation.
The Candy Tangerine Man (1975)
In the 1975 American action-adventure blaxploitation film The Candy Tangerine Man, directed by Matt Cimber, viewers are immersed in the world of the Black Baron, a pimp known for his distinctive red and yellow Rolls Royce and his bustling entourage of women. Set against the backdrop of Sunset Boulevard, the movie follows the double life of John Daniels, who portrays the enigmatic Baron by night and a devoted family man by day.
The film weaves a complex narrative that delves into themes of power, family, and the juxtaposition of two contrasting worlds. While showcasing the opulent and alluring facade of the pimp lifestyle, the storyline also confronts the gritty and tumultuous realities of the streets, offering a compelling portrayal of the blaxploitation era.
The Candy Tangerine Man presents a captivating blend of adventure, tension, and intrigue within the vibrant and culturally significant landscape of 1970s cinema.
Car Wash (1976)
Director Michael Schultz presents a vibrant and comedic portrayal of the daily lives of car-wash employees at Sully Boyar’s Car Wash in the Los Angeles ghetto in the film Car Wash. It ventures into the hopes, fears, joys, and dreams of the eclectic group of workers while chronicling their encounters with eccentric customers.
With a slice-of-life approach, the film weaves multiple plot threads, showcasing the intertwining stories of the diverse characters.
This day-in-the-life narrative captures the essence of camaraderie and humor within the workplace, offering a nostalgic glimpse into the dynamic and colorful backdrop of 1970s urban America. Car Wash stands as a cult comedy that skillfully balances a downbeat yet uplifting tone, making it a memorable and engaging cinematic experience that resonates with both humor and heartfelt moments.
Darktown Strutters (1975)
Audiences of this movie are swept into the vibrant world of Syreena, leader of the Darktown Strutters, an all-female African American motorcycle gang in Los Angeles. The plot unfolds as Syreena embarks on a quest to uncover the mysterious disappearance of her mother, Cinderella, leading to a series of wild and captivating complications.
The film showcases a unique blend of action, comedy, and musical elements while intertwining themes of community, empowerment, and cultural representation.
With mixed initial reviews, Darktown Strutters has since garnered a cult following, celebrated for its bold and unconventional approach to storytelling within the blaxploitation genre. The movie’s portrayal of a black female biker gang racing against societal norms, combined with elements of science fiction and rock music, presents a compelling and distinctive cinematic experience reflective of its era.
Halls of Anger (1970)
Directed by Paul Bogart, the story unfolds within the context of court-ordered desegregation, bringing about the integration of an inner-city Los Angeles high school.
The film’s narrative revolves around the challenges and tensions that arise as a result of this forced integration, with the entry of 60 white students into the predominantly African-American student body. Focusing on the experiences of the school’s black students, the movie delves into themes of racial dynamics, identity, and the turbulent social landscape of the era.
Starring Calvin Lockhart, Janet MacLachlan, Jeff Bridges, and James A. Watson Jr., Halls of Anger offers a compelling portrayal of the complexities and conflicts inherent in the process of desegregation, providing a thought-provoking reflection on the realities of race and education during that period.
The film addresses the struggle for coexistence and understanding in a society undergoing significant social change.
Hammer (1972)
In the 1972 blaxploitation film Hammer, directed by Bruce D. Clark, audiences are immersed in the gritty world of B.J. Hammer, a Los Angeles dockworker who transitions into the boxing ring with the support of the Mafia. However, as Hammer climbs the ranks, he faces the harsh reality that his newfound success comes at a steep price—he’s coerced into participating in the mob’s illicit activities, including throwing fights and entangling himself in their criminal enterprises.
Starring Fred Williamson in the lead role, alongside a talented cast including Bernie Hamilton and Vonetta McGee, the film delves into themes of ambition, moral dilemmas, and the struggle for integrity in a corrupt environment.
Hammer stands as a captivating entry in the blaxploitation genre, depicting the complexities of a man navigating the treacherous intersection of organized crime and professional sports, offering a compelling narrative underscored by powerful performances and a raw, unapologetic portrayal of urban life.
Petey Wheatstraw (1977)
Petey Wheatstraw, a 1977 film directed by Cliff Roquemore, plunges viewers into the comedic and fantastical tale of Petey Wheatstraw, a charismatic individual who strikes a deal with the devil to return from the afterlife in exchange for marrying the devil’s daughter, regarded as the world’s ugliest woman. Anchored by the magnetic performance of Rudy Ray Moore in the titular role, the movie weaves together elements of comedy, folklore, and supernatural dealings, presenting a blend of humor and whimsy against a backdrop of otherworldly arrangements.
With its imaginative premise and Moore’s signature comedic flair, Petey Wheatstraw offers a unique cinematic experience that transcends traditional storytelling conventions, delivering an entertaining and offbeat narrative that has secured its status as a cult classic. The film’s fusion of folklore, humor, and supernatural elements creates an engaging and memorable viewing experience for audiences.
That Man Bolt (1973)
Fred Williamson portrays Jefferson Bolt, a skilled secret agent dispatched to Hong Kong to thwart an international syndicate of criminals set on wreaking havoc. As the plot unfolds, Bolt finds himself in dire circumstances, compelled to navigate a treacherous landscape of danger and intrigue.
The movie encapsulates a riveting narrative, blending elements of espionage, martial arts prowess, and high-stakes clandestine operations. With Williamson’s commanding presence and adept martial arts expertise, the film delivers a compelling portrayal of Bolt’s mission to safeguard global security amidst formidable adversaries.
That Man Bolt stands as a testament to the blaxploitation genre’s ability to merge action-packed storytelling with a charismatic lead, offering audiences an exhilarating cinematic experience infused with suspense and adrenaline. With its blend of thrilling action sequences and international intrigue, the film captivates viewers with a gripping tale of heroism and daring exploits.
Friday Foster (1975)
Directed by Arthur Marks and featuring Pam Grier in the titular role, audiences are drawn into an enthralling narrative centered around Friday Foster, a magazine photographer thrust into a world of conspiracy and danger.
The movie, based on a newspaper comic strip of the same name that debuted in 1970, unfolds as Foster arrives at Los Angeles International Airport to capture the arrival of Blake Tarr, the wealthiest black man in America. However, she unwittingly becomes embroiled in a series of perilous events after capturing an attempt on Tarr’s life.
As the storyline progresses, Foster finds herself confronted with the murder of her friend and client, propelling her into a complex web of intrigue and treachery. Friday Foster offers a captivating blend of mystery, action, and suspense, deftly portrayed against the backdrop of 1970s America, and showcases Pam Grier’s compelling performance in a role that has become iconic within the blaxploitation genre.
The Impact Beyond the Screen
The influence of 70s black cinema transcends the movie theater. It fueled conversations, inspired fashion trends, and most importantly, it challenged the status quo.
The hyper-stylized portrayal of life in the urban landscape etched an indelible mark on American culture and beyond. It might have been known as a niche genre, but its ripples can still be felt—whether in music videos, fashion, or contemporary films aiming to capture that same raw vibe.
After diving into the vibrant and revolutionary world of 1970s black cinema, it’s clear that this pivotal era gave birth to a groundbreaking genre known as blaxploitation. These films showcased powerful narratives, captivating characters, and unapologetic representations of urban life, resonating deeply with audiences.
The term blaxploitation itself speaks to the bold and assertive nature of these films, recognizing their significance in celebrating black culture and addressing societal issues. As we reflect on the impactful storytelling and cultural resonance of these movies, it’s evident that they continue to inspire and captivate audiences, cementing their place as timeless classics within the diverse tapestry of film history.
